by Alex Balfour | Oct 20, 2012 | Audio Articles
There are many things that count high on our priorities at Blue Pro. Customer satisfaction is certainly atop and subsequently we are continually surprised at some of the experiences that we hear from clients about their mastering experiences with various cowboy...
by John Webber | Oct 19, 2012 | Audio Articles
Compression is designed to control dynamic range within a recording and will most likely exist in singular elements of a mix and over the mix itself in a mastering situation. Compression is achieved by making loud passages above a certain threshold quieter, therefore...
by John Webber | Oct 8, 2012 | Audio Articles
The so called ‘war’ over digital audio levels is a constant topic of discussion. With no real guidelines over levels, such as those that benefit film and TV, many would agree that audio levels have increased so aggressively in recent years to sometimes beyond good...
by Alex Balfour | Apr 28, 2012 | Audio Articles
Digital distribution is now the dominant medium for consuming music. No longer is the CD the only digital format to prepare for. Mastering has therefore had to adapt to ensure that the best possible quality results are achieved when taking into account the compressed...
